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"Well," Prout said thoughtfully, "seeing that you were traced to Lytton Avenue, I suppose that you found her there?"One day, some few years after the death of Aristotle, a short, lean, swarthy young man, of weak build, with clumsily shaped limbs, and head inclined to one side, was standing in an Athenian bookshop, intently studying a roll of manuscript. His name was Zeno, and he was a native of Citium, a Greek colony in Cyprus, where the Hellenic element had become adulterated with a considerable Phoenician infusion. According to some accounts, Zeno had come to the great centre of intellectual activity to study, according to others for the sale of Tyrian purple. At any rate the volume which he held in his hand decided his vocation. It was the second book of Xenophons Memoirs of Socrates. Zeno eagerly asked where such men as he whose sayings stood recorded there were to be found. At that moment the Cynic Crates happened to pass by. There is one of them, said the bookseller, follow him.12<024>
ONE:That is not evidence however, for how did they get the information? From my own experience I make bold to say with the greatest confidence that these reports came from German sources only, whereas there was not any ground for them.
  • THREE:"Did you ever put me in it?" Bruce asked gravely.
    How awesome would it be to design, while still a student, the product that would set your entire future up?
  • THREE:
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  • THREE:A similar vein of thought runs through the moral and religious philosophy of Lucretius. If we look on him as a reformer, we shall say that his object was to free life from the delusions with which it had been disfigured by ignorance and passion. If we look on him as an artist, we shall say that he instinctively sought to represent life in the pure and perfect beauty of its naked form. If we look on him as a poet, we shall say that he exhibits all the objects of false belief no longer in the independence of their fancied reality, but in their place among other vital phenomena, and in due subordination112 to the human consciousness whose power, even when it is bound by them, they reveal. But while the first alternative leaves him in the position of a mere imitator or expositor who brings home no lessons that Epicurus had not already enforced with far greater success, the other two, and above all the last, restore him to the position of an original genius, who, instead of deriving his intuitions from the Epicurean system, adopts just so much of that system as is necessary to give them coherence and shape. It may, no doubt, be urged, that were life reduced to the simple expression, the state of almost vegetative repose, demanded by Lucretius, denuded of love, of ambition, of artistic luxury, of that aspiration towards belief in and union with some central soul of things, which all religions, more or less distinctly embody, its value for imaginative purposes would be destroyed; and that the deepest lesson taught by his poem would not be how to enjoy existence with the greatest intensity, but how to abandon it with the least regret. Now it is just here that the wonderful power of poetry comes in, and does for once, under the form of a general exposition, what it has to do again and again under the easier conditions of individual presentation. For poetry is essentially tragic, and almost always excites the activity of our imagination, not by giving it the assured possession of realities, but by the strain resulting from their actual or their expected eclipse. If Homer and the Attic tragedians show us what is life, and what are the goods of life, it is not through experience of the things themselves, but through the form of the void and the outline of the shadow which their removal or obscuration has produced. So also in the universal tragedy of the Roman poet, where the actors are not persons, but ideas. Every belief is felt with more poignant intensity at the moment of its overthrow, and the world of illusion is compensated for intellectual extinction by imaginative persistence as a conscious creation, a memory, or a dream. There is no mythological picture so splendidly painted as those in which Lucretius has shown us Mavors113 pillowed on the lap of Venus, or led before us the Idaean mother in her triumphal car. No redeemer, credited with supernatural powers, has ever enjoyed such an apotheosis as that bestowed by his worshipper on the apostle of unbelief. Nowhere have the terrible and mysterious suggestions of mortality been marshalled with such effect as in the argument showing that death no more admits of experience than of escape. What love-inspired poet has ever followed the storm and stress of passion with such tenderness of sympathy or such audacity of disclosure, as he to whom its objects were disrobed of their divinity, for whom its fancied satisfaction was but the kindling to insaner effort of a fatally unquenchable desire? Instead of being compelled to teach a truth he would not learn, Lucretius was enabled by the spirit of his own incomparable art to seize and fix for ever, in bold reversal of light and shade, those visions on which the killing light of truth had long before him already dawned.
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  • THREE:Workshop processes which are capable of being systematised are the most easy to learn. When a process is reduced to a system it is no longer a subject of special knowledge, but comes within general rules and principles, which enable a learner to use his reasoning powers to a greater extent in mastering it.
    We like seeing designers experimenting with the gradations between two extremes. Take wristwatches, for instance.
  • THREE: What then, asks Plotinus, is the One? No easy question to answer for us whose knowledge is based on ideas, and who can hardly tell what ideas are, or what is existence itself. The farther the soul advances in this formless region, where there is nothing for her to grasp, nothing whose impress she can receive, the more does her footing fail her, the more helpless and desolate does she feel. Oftentimes she wearies of such searching and is glad to leave it all and to descend into the world of sense until she finds rest on the solid earth, as the eyes are relieved in turning from small objects to large. For she does not know that to be one herself is to have gained the object of her search, for then she is no other than that which she knows. Nevertheless it is only by this method that we can master the philosophy of the One. Since, then, what we seek is one, and since we are considering the first principle of all things and the Good, he who enters on this quest must not place himself afar from the things that are first by descending to the things that are last, but he must leave the objects of sense, and, freed from all evil, ascend to the first principle of his own nature, that by becoming one, instead of many, he may behold the beginning and the One. Therefore he must become Reason, trusting his soul to Reason for guidance and support, that she may wakefully receive what it sees, and with this he must behold the One, not admitting any element of sense, but gazing on the purest with pure Reason and with that which in Reason is first. Should he who addresses himself to this enterprise imagine that the object of his vision possesses magnitude or form or bulk, then Reason is not his guide, for such perceptions do not belong to its nature but to sense and to the opinion which follows on sense. No; we must only pledge Reason to perform what it can do. Reason sees what precedes, or what contains, or what is derived from itself. Pure are the things in it, purer still those which precede, or rather, that which precedes it. This is neither reason nor anything that is; for whatever is has the form of existence, whereas this has none, not even an ideal form. For the One, whose nature is to generate all things, cannot be any of those things itself. Therefore it is neither substance, nor quality, nor reason, nor soul; neither moving nor at rest, not in place, not in time, but unique of its kind, or rather kindless, being before all kind, before motion and before rest, for these belong to being, and are that to which its multiplicity is due. Why, then, if it does not move, is it not at rest? Because while one or both of these must be attributed to being, the very act of attribution involves a distinction between subject and predicate, which is impossible in the case of what is absolutely simple.463Plotinus is not only the greatest and most celebrated of the Neo-Platonists, he is also the first respecting whose opinions we have any authentic information, and therefore the one who for all practical purposes must be regarded as the founder of the school. What we know about his life is derived from a biography written by his disciple Porphyry. This is a rather foolish performance; but it possesses considerable interest, both on account of the information which it was intended to supply, and also as affording indirect evidence of the height to which superstition had risen during the third century of our era. Plotinus gave his friends to understand that he was born in Egypt about 205 A.D.; but so reluctant was he to mention any circumstance connected with his physical existence, that his race and parentage always remained a mystery. He showed somewhat more communicativeness in speaking of his274 mental history, and used to relate in after-life that at the age of twenty-eight he had felt strongly attracted to the study of philosophy, but remained utterly dissatisfied with what the most famous teachers of Alexandria had to tell him on the subject. At last he found in Ammonius Saccas the ideal sage for whom he had been seeking, and continued to attend his lectures for eleven years. At the end of that period, he joined an eastern expedition under the Emperor Gordian, for the purpose of making himself acquainted with the wisdom of the Persians and Indians, concerning which his curiosity seems to have been excited by Ammonius. But his hopes of further enlightenment in that quarter were not fulfilled. The campaign terminated disastrously; the emperor himself fell at the head of his troops in Mesopotamia, and Plotinus had great difficulty in escaping with his life to Antioch. Soon afterwards he settled in Rome, and remained there until near the end of his life, when ill-health obliged him to retire to a country seat in Campania, the property of a deceased friend, Zthus. Here the philosopher died, in the sixty-sixth year of his age.
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  • THREE:Overhauling the seaplane was not the question.Happy is he who has learned
    How awesome would it be to design, while still a student, the product that would set your entire future up?
  • THREE:Dick agreed readily.146
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Purchased new from a Chicago department store in late 1940's or thereabouts.
Dramos
ToDay At 12:35
I purchased the Marcel Wanders Haikus 75 cm ceramic plate with black metal display stand* for B&B Italia on the last day of December. This was my gift to me.
niceguy
ToDay At 12:35
And, if so, do you know what kind of shade was on it? Thanks in advance
designaddict
ToDay At 12:35
everyone. We have a sort of "gentlemans dresser" in teak, made in Denmark.
Dramos
ToDay At 12:35
Coffee table in rosewood. Designed by Johs. Andersen and manufactured by CFC Silkeborg, Denmark...
Dramos
ToDay At 12:35
Amaze UI
New Documentary Showcases the Laborious History of Graphic Design
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